Tag Archives: Warner Bros

Supergirl 2026 film review

When the film opened, I felt the very first scene of Krypto the dog peeing was just… stupid! This set off the rest of the film for me, with what I would call immature filmmaking.

And a woman who might not know she can get drunk, early in her youth, finds out she can get drunk under a red sun? But is this film truly about Supergirl, or is it a vengeance film with womanhood and female power at its core? Because we are introduced to Ruthye, whose parents and brother were murdered by a space pirate called Krem, which sets off a chain of events.

One event even goes as far as poisoning Krypto the dog, and this binds Kara with Ruthye on their path.

There are moments when Clark contacts Kara during the movie and, well… I wasn’t a fan of the actor David Corenswet, who played Superman in the previous film. His cameo here just doesn’t have the on-screen chemistry that I feel is required for Superman. There is a certain aura which Superman needs, and he really doesn’t possess it.

However, Milly Alcock’s casting as Kara doesn’t bother me. She has a certain degree of presence which can fit the role. However, the stylised direction from director Craig Gillespie makes some parts feel all over the place.

There was the moment when she was in space, taking apart the female pirates. I rather liked that scene; it was one of the few parts of the film which felt clever and thought-out.

Another directional aspect was the use of the Kryptonian language. I honestly didn’t see the need or point of this. It was meaningless and, at the same time, took away the actors’ ability to perform, leaving the moments feeling wooden.

There is also a problem with rhythm and flow throughout the film, but it has its moments. Overall, it’s watchable, but nothing really stood out or impressed me.

One final thought, I really don’t want to give the final of the film away, however, there is a moral question: would Otto Binder, the creator of Supergirl, have liked the fact that Gillespie broke that moral code? I feel there is a question here, and a wound that cannot be healed now.

2.5 out of 5.

Mortal Kombat II — Film Review

Is this really meant to continue from the previous film? Because I genuinely couldn’t tell. There’s no meaningful setup, no explanation of how it connects to the last story, and it simply drops straight into Johnny Cage front and centre. From there it becomes a badly cast, weakly choreographed, poorly executed mess.

Karl Urban as Johnny Cage… really? He has the washed‑up gritty look, sure, but Cage is supposed to be lean, agile and sharp. Urban doesn’t fit that mould. Someone with actual martial arts ability, like Jeffrey Donovan from Burn Notice, would have been a far better pick.

Shao Kahn is another misfire. Physically imposing, yes, but the voice is completely wrong for the character. A European or Scandinavian actor would have nailed the tone better.

Most of the cast look thin on both muscle and skill, and the choreography throughout is flat and uninspired. The story revolves around destroying a crystal to save Earthrealm, but the weaknesses are obvious to anyone who knows the franchise or has even a basic grasp of storytelling. There is no heart in it at all.

The script also throws in nods to other franchises – Star Wars, Star Trek, Harry Potter, Lord of the Rings – and every one of them feels out of place. They should have left all of that out.

On the positive side, the wardrobe department did solid work, the sets look good, though the background depth often looks cheap. The score could have elevated things, but here it feels weak and underpowered.

Overall, this film is a nightmare for anyone who actually cares about writing. Most people could produce a better script. In the end, it is just fatally flawed.

1.5 out of 5.