Category Archives: review

Hawaiʻi – a kingdom crossing oceans review

On right now in the British Museum is the Hawaiʻi exhibit A Kingdom Crossing Oceans, which is available until 25 May 2026.

I enjoyed the exhibit and found it easy to navigate, although for me there wasn’t enough art on display. But what was there was of fantastic quality. The quality and craftsmanship really do stand out, from the headdresses and cloaks to everyday objects.

You have a story starting with showing off the crafts and wares of the island, then straight to a letter sent to the then king of England (George III) to confirm that the English crown would help protect the island nation. The king was presented with a rather large cloak, finely crafted.

Cloak sent to George III of England

This then swiftly flows into the voyage of King Liholiho and Queen Kamāmalu across the seas, visiting many places on the way, reaching all the way to England. They managed to explore some of England and experience London, but behinds the scenes they were sadly mocked which can only be described as racism. Sadly, it didn’t end well for the pair, as they died from measles in their 20s and never got their engagement with the King of England at the time. They were left in their hotel with many of the objects they brought with them, and when the king found out what had happened, he organised a ship to return them home.

However, it is clear from the exhibit that England never did truly protect Hawaii, as America eventually conquered the island, dispelling the last of the royal family in what sounds like an imperialistic fashion, and in the last century the island became the 50th state of America.

My own little thought at the end: I pondered, should they get their independence back?

4 out of 5

Creepy fella, almost looks like it might have children’s milk teeth!
Quality of craftsmanship
A healing bowl imbedded with human teeth from past chiefs

British Museum – Samurai Exhibition Review

I have always loved Japanese artwork and architecture, and I genuinely enjoyed many of the objects on display in this exhibition. The craftsmanship, armour, and historical pieces were impressive in isolation.

However, when it came to reading the accompanying information, I found myself struggling. For some reason, the interpretation panels did not quite settle in my mind. It may be that I am already familiar with much of the history, but the wording often felt unclear or oddly framed.

Certain descriptions also seemed confusing. For example, some items were labelled in ways that did not entirely make sense to me, and a few cultural elements felt slightly off in their presentation.

One moment that particularly stood out was a lift-up panel stating, “About half of all samurai were women!” This struck me as lacking context. My understanding is that women associated with the samurai class were historically a small minority compared to male warriors. Without clearer explanation of what was meant whether referring to the broader samurai households rather than battlefield combatants the statement felt abrupt and potentially misleading.

I also felt there was a missed opportunity to go deeper into the construction of samurai armour and weaponry. A breakdown of how armour was assembled, along with more detailed information about sword-smithing and forging traditions, would have added real depth. The artefacts themselves were strong, but the interpretation sometimes felt underdeveloped.

As the exhibition progressed, it shifted more heavily into myth, modern storytelling, and cultural legacy. While I understand the intention to show how samurai imagery has influenced global culture, the inclusion of a full-sized Darth Vader suit near the exit felt somewhat jarring in tone compared to the earlier historical focus.

I am normally very impressed with the British Museum’s exhibitions. They are often thoughtfully structured and rich in detail. This time, however, I was left with a lingering sense that something was not quite cohesive. The narrative began strongly but seemed to lose clarity as it moved towards myth and modern reinterpretation.

Overall: 3 out of 5.

Burma to Myanmar exhibit

Only just started in the British Museum is the Burma to Myanmar exhibit that explores the few treasures that have come from the country. And there are some amazing pieces on display, from a gold letter to the King of England that went un-replied. To an intricate ivory chair.

You get a bit of a glimpse into the art that has come from the country but due to constant conflict there, there is a sense of limitations in the exhibit. Like so many subjects there is a vast story to tell and the scope isn’t there. A pebble in the sea of what information they could have given? What is on offer may give some insight, however to me it’s just showing off what they have in the British Museum collection.

3.5 out of 5.